The Possibility of Teaching Chinese Students of Architecture to Write (A House)

Abstract

Writing, as the projection of a building, is integral to the discipline of architecture. In the specification, the architect describes the edifice from inside out so that it may materialise in accordance with the plan drawn up. There are other kinds of writing too, if not the writing of a house itself – a paper house built from words without even folding the surface of its flat ground. I propose to write this house by moving four times around my chosen site – an A4 sheet of white paper. Four times because tracing the contours of this field means turning a corner four times. Two times two, because when turning the paper itself, the writing splits across one side and the other. One times four, because writing a hole in the centre allows me to peep through this central void to charge the whole structure from within. And if, by then, the boundaryofthesitealsosplits,thenaspacewillemergebetweenitsdoublelinesandI willhavearrivedinanewlocation–possiblyanewkindofhouse.CanIwritethishouse?

References
[1] Kipnis, J. & Leeser, T., eds. (1997). Chora L Works: Jacques Derrida and Peter Eisenman. New York: Monacelli Press, p. 105.

[2] Architect and critic Mark Wigley describes how the ‘edifice’ complex has developed in philosophical discourse since René Descartes’ Discourse on the Method (1637). Wigley, M. (1995). The Architecture of Deconstruction: Derrida’s Haunt. Cambridge, MA: The MIT Press, pp. 6-13.

[3] Vitruvius’ categories have endured as seemingly self-evident points of reference for a proper architecture.Rowland,I.D.&Howe,T.N.,eds.(2017).Vitruvius: Ten Books on Architecture.Cambridge: Cambridge University Press.

[4] Peters, M. A. (2008). Academic Writing, Genres and Philosophy. Educational Philosophy and Theory, vol. 40, 7, p. 824.

[5] Peters, M. A. (2008). Academic Writing, Genres and Philosophy. Educational Philosophy and Theory, vol. 40, 7, p. 825.

[6] Kipnis,J.&Leeser,T.,eds.(1997).Chora L Works: Jacques Derrida and Peter Eisenman.NewYork,NY: Monacelli Press, pp. 104-112, for a transcription of the meeting. The relation between Derrida’s notion ofdeconstructionandHeidegger’scriticalunbuildingisfurtherelaboratedbyMarkWigley,seeWigley, M. (1995). The Architecture of Deconstruction: Derrida’s Haunt. Cambridge, MA: The MIT Press.

[7] Kipnis, J. & Leeser, T., eds. (1997). Chora L Works: Jacques Derrida and Peter Eisenman. New York, NY: Monacelli Press, pp. 104-105.

[8] Kipnis, J. & Leeser, T., eds. (1997). Chora L Works: Jacques Derrida and Peter Eisenman. New York, NY: Monacelli Press, p. 105. The square brackets framing the first part of “[bui]lding” correspond to the absent letters of the word where a hole has been punched through the book – one of nine holes punched through the first half of the book.

[9] Kipnis, J. & Leeser, T., eds. (1997). Chora L Works: Jacques Derrida and Peter Eisenman. New York, NY: Monacelli Press, p. 105.

[10] Bear, L. (1974). Gordon Matta-Clark: Splitting the Humphrey Street Building. Avalanche, December, p. 37.

[11] Wigley,M.(1995).The Architecture of Deconstruction: Derrida’sHaunt.Cambridge,MA:TheMITPress, p. 7.

[12] Wigley,M.(1995).The Architecture of Deconstruction: Derrida’sHaunt.Cambridge,MA:TheMITPress, p. 39.

[13] Wigley,M.(1995).The Architecture of Deconstruction: Derrida’sHaunt.Cambridge,MA:TheMITPress, p. 25.

[14] Wigley,M.(1995).The Architecture of Deconstruction: Derrida’sHaunt.Cambridge,MA:TheMITPress, p. 25.

[15] Derrida, J. (1986). Architecture Where the Desire May Live. Domus, 671, p. 18.

[16] Derrida, J. (1986). Architecture Where the Desire May Live. Domus, 671, p. 18.

[17] Fang,Z.-H.(2002).ACriticalReflectionontheSystematicsofTraditionalChineseLearning.Philosophy East & West, vol. 52, 1, pp. 36-49.

[18] Fang,Z.-H.(2002).ACriticalReflectionontheSystematicsofTraditionalChineseLearning.Philosophy East & West, vol. 52, 1, pp. 36-37.

[19] Fang,Z.-H.(2002).ACriticalReflectionontheSystematicsofTraditionalChineseLearning.Philosophy East & West, vol. 52, 1, pp. 44-45.

[20] Jullien, F. (2015). The Book of Beginnings. Trans. Gladding, J. New Haven, CT: Yale University Press, p. 3.

[21] Jullien, F. (2015). The Book of Beginnings. Trans. Gladding, J. New Haven, CT: Yale University Press, p. 35.

[22] Jullien, F. (2015). The Book of Beginnings. Trans. Gladding, J. New Haven, CT: Yale University Press, p. 30.

[23] Jullien, F. (2015). The Book of Beginnings. Trans. Gladding, J. New Haven, CT: Yale University Press, p. 31.

[24] Fung,Y.-L.(2007)AShortHistoryofChinesePhilosophy.Tianjin:Tianjinshehuikexueyuanchubanshe, p. 22.

[25] Fung,Y.-L.(2007)AShortHistoryofChinesePhilosophy.Tianjin:Tianjinshehuikexueyuanchubanshe, p. 20.

[26] Peters, M. A. (2008). Academic Writing, Genres and Philosophy. Educational Philosophy and Theory, vol. 40, 7, p. 825.

[27] Rendell, J. (2010). Site-Writing: The Architecture of Art Criticism. London: I. B. Tauris.

[28] Rendell, J. (2018). Only Resist, Architectural Review, vol. 243, 1449, p. 7.

[29] Rendell, J. (2010). Site-Writing: The Architecture of Art Criticism. London: I. B. Tauris, p. 18.

[30] Heidegger, M. (2000). Introduction to Metaphysics. Trans. Fried, G. & Polt, R. New Haven, CT: Yale University Press.